The novelist Paul Bailey, who passed away last year at 87, was celebrated for his witty genius, deep empathy even for his deeply imperfect creations, and a cleverness that avoided being sterile. His novels often explored the influence of recollections within personal journeys, fueled by clever, syncopated conversations. In addition to storytelling, he was also an autobiographer, verse writer, and other capacities—here is a guide to the volumes he authored.
Paul Bailey proved a social being, an excellent talker fond of casual small talk, as one character notes. Together with companion fellow writer Beryl Bainbridge often enjoyed the TV show Coronation Street and discuss it over calls. This pleasure in chatty conversations is evident in his fictional works the book Trespasses (from 1970) and the title Peter Smart’s Confessions (dating to 1977). Both feature a main male protagonist besieged by humorous, irritating, exaggerated personalities, usually kin whose gravitational pull is unavoidable. “What’s so great about being normal?” Ralph’s mum questions in the book Trespasses after he discloses his homosexuality. Like an evening with your most clever, daring companion.
Bailey wrote brilliantly about aging, at both ends of his writing journey. His first book At the Jerusalem (from 1967) follows the life of Faith Gadny while she adapts to a nursing home, in which other inhabitants provide kindness lacking from staff, whose concern by asking “Why not view the TV, ladies?”. In his penultimate novel Chapman’s Odyssey (2011), an aged patient alternates between arguing with doctors (“My wine selection is exclusive”, he affirms when scolded for liver results) and confronting past remembrances involving his mum, partners, classic characters such as Pip from Dickens or Emma from Austen. Both books are filled with comic interactions but marked by approaching finality. In Bailey’s fiction, grins are unreliable. Within At the Jerusalem, “the matron grinned, then ended it abruptly”; The character giggles with unease upon challenge to her conduct. In that novel, Harry cautions that “my grins are misleading”. Your laughter, nonetheless, is sincere.
Apart from his stories, Paul Bailey served as a skilled autobiographer, issuing two personal accounts. An Immaculate Mistake (1990) serves as a classic of reminiscence, the heading taken from his parent’s remark calling him “our error” and saying he shouldn’t exist. (“She was old now, and letting go of her secrets,” he comments. “This secret, she realized, would intrigue me.”) Within these pages appear the sources for confused, affectionate, irritating parental figures throughout his books. It likewise portrays a moving picture of a boy discovering his sexuality in that era, when homosexuality was illegal, and his family found it odd for a boy to buy his mother flowers; and of a hopeful performer (Bailey acted before writing) who memorized Hamlet at 15. His second memoir the book A Dog’s Life (2004) concentrates on existence alongside his mixed-breed dog Circe, his previous lover David, his love for Romania—which inspired later novels like Kitty and Virgil, the title Uncle Rudolf, plus The Prince’s Boy—and loads of chatter, with a story involving author Iris Murdoch calling an audience member a “foolish person”.
The author’s fiction are generally brief—the impactful Old Soldiers (published in 1980) is barely 100 pages—yet for an even briefer option, explore his poems from his later career. The pair of volumes the poetry collection Inheritance (2019) and also Joie de Vivre (from 2022) display Bailey’s wit, empathy, precision in brief format. These writings are rich with mortality and existence. Two affectionate topics reappear: about his parent (“I feel nearer to you now—/ I must confess—/ than when you lived”) and for his partner Jeremy Trevathan. Within the poem Amazement, he describes the joy of viewing “a silly TV show” as a couple, ending with: “It’s awesome, in its way, this act of eating cheese / and drinking wine, as the world keeps darkening.”
There is little debate that the author’s most expansive book remains Gabriel’s Lament, a Booker Prize finalist in 1986. (He also judged the prize in 1982, a role he disliked.) This novel Paul Bailey valued most, despite the fact “it consumed all his energy”. It follows the tale of Gabriel Harvey, with a missing mother while his dad transforms into a intolerable pretentious person following a financial windfall, with possible connections. It acts as a representation of 20th-century London, an account of psychological collapse, and as funny and sad similar to his entire output. Additionally, it prompted a subsequent book, Sugar Cane (from 1993), that he investigated by visiting brothels as an observer.
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